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	<title>NYU Troubadour &#187; Radio City Music Hall</title>
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		<title>LADY GAGA ROCKS RADIO CITY</title>
		<link>http://nyutroubadour.com/archives/230</link>
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		<pubDate>Tue, 23 Feb 2010 03:08:23 +0000</pubDate>
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				<category><![CDATA[Gigs]]></category>
		<category><![CDATA[Abigail Devora]]></category>
		<category><![CDATA[Lady Gaga]]></category>
		<category><![CDATA[Radio City Music Hall]]></category>

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		<description><![CDATA[By Abigail Devora
Lady Gaga glowed onstage, kicking off the last leg of “The Monster Ball Tour” and her final night at Radio City Music Hall on January 24.
Wearing a flesh-colored costume adorned with lights, she opened the show with the song, “Dance in the Dark”. Gaga doppelgangers, mothers and their daughters and Whoopi Goldberg were [...]]]></description>
			<content:encoded><![CDATA[<p><em>By Abigail Devora</em></p>
<p>Lady Gaga glowed onstage, kicking off the last leg of “The Monster Ball Tour” and her final night at Radio City Music Hall on January 24.</p>
<p>Wearing a flesh-colored costume adorned with lights, she opened the show with the song, “Dance in the Dark”. Gaga doppelgangers, mothers and their daughters and Whoopi Goldberg were among her fans or “little monsters” as she calls them.</p>
<p>They danced and sang along as she delivered her smash singles, “Poker Face”, “Paparazzi”, and of course, “Just Dance”. These songs all have that can’t-get-it-out-my-head quality, but what some might forget is that this girl has talent.</p>
<p>She showcased a dexterous command of the piano while belting out her beautiful ballad, “Speechless.” Each note and every poignant pause possessed power, proving professional prowess. Lady Gaga dedicated this song to the victims of the earthquake in Haiti to whom every cent made from the day’s ticket, merchandise and online sales was being donated.</p>
<p>She sometimes veered toward more provocative territory. At one point, she clenched her fist and moved it back and forth below her waist.</p>
<p>With numerous costume changes, including a golden ensemble with a Cleopatra-esque headdress, stellar stage setups and tremendous talent, Lady Gaga entertained – and was meant to. During an acoustic performance of “Poker Face,” she mentioned that she no longer “waits tables on Cornelia Street.” She made it all the way to the Avenue of Americas between 50th and 51st Street.  Radio City Music Hall.</p>
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		<title>REGINA SPEKTOR</title>
		<link>http://nyutroubadour.com/archives/44</link>
		<comments>http://nyutroubadour.com/archives/44#comments</comments>
		<pubDate>Mon, 23 Nov 2009 00:08:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Gigs]]></category>
		<category><![CDATA[Amanda Katz]]></category>
		<category><![CDATA[Radio City Music Hall]]></category>
		<category><![CDATA[Regina Spektor]]></category>

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		<description><![CDATA[It’s just what happens when you take a phenomenal musician out of small Brooklyn venues and stick her center stage at Radio City Music Hall.  Her vocals manage to fill up every inch of the theater, reaching out to her sold-out crowd– as well as her star-struck fans gazing down from the third mezzanine [...]]]></description>
			<content:encoded><![CDATA[<p>It’s just what happens when you take a phenomenal musician out of small Brooklyn venues and stick her center stage at Radio City Music Hall.  Her vocals manage to fill up every inch of the theater, reaching out to her sold-out crowd– as well as her star-struck fans gazing down from the third mezzanine (I should know, I was one of them).  At nine o’clock she began the show with her two cellists, drummer, viola player and violinist with a few songs off of her most recent album “Far.”  Making sure to appease both new and old fans, Spektor weaved some of the more classic Regina ballads such as “Ode to Divorce,”  into the show.  Halfway through the almost two hour performance, Spektor’s mini-orchestra left her with nothing but an electric teal guitar, giving her and the crowd time to jam out to edgier songs such as “That Time” and “Bobbing for Apples.”  Her witty, more provocative lyrics paired with just a guitar, keyboard, or her infamous chair-drum (for “Poor Little Rich Boy”) juxtaposed with the grandeur that is RCMH was really the most spectacular part.  “I’m so grateful for tonight– it feels like a dream,” Spektor said.  “Thank you for a dream New York,” she continued, before playing an encore.  And before it was over, the Russian/Jewish New-Yorker brilliantly ended the night with an interpretation of a Country song, jumping around and singing about whores.</p>
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